2026

Amoako Boafo on Portraiture, Presence, and His Venice Exhibition at Palazzo Grimani

nstallation views, “Amoako Boafo: It doesn’t have to always make sense,” Museo di Palazzo Grimani, Venice, May 6–November 22, 2026. Artwork © Amoako Boafo. Photos: Naïla Opiangah

During the preview week of the 61st Venice Biennale, when Venice once again became the center of the global art world, one of the city’s most quietly arresting exhibitions unfolded within the historic interiors of Museo di Palazzo Grimani. There, Ghanaian artist Amoako Boafo opened It Doesn’t Have to Always Make Sense, his first solo […]

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Leaving Venice Behind: Michele Mathison’s Verso il Cielo Unveiled in the Quiet Mountains of Umbria

Michele Mathison, Verso il Cielo, travertine, 2026, courtesy the artist and Tyburn Foundation, photo by Andrea Adriani

After days spent moving through the intensity of Venice Biennale preview week — navigating crowded vaporetto stations, packed national pavilions, endless openings, water taxis, and the constant rhythm of movement that defines Venice during the Biennale — the journey into Umbria felt almost like a withdrawal from the accelerated energy of the global art world

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Efie Gallery’s Art Dubai 2026 Presentation Maps a Transcontinental Dialogue Across African and Diasporic Art

Install view. Efie Gallery at Art Dubai 2026. Works pictured by Maggie Otieno, Maria Magdalena Campos Pons and Abdoulaye KonatéCourtesy the artists and Efie Gallery (5)

As Art Dubai celebrates its 20th anniversary with a Special Edition at the Madinat Jumeirah Conference & Events Centre from 14–17 May 2026, one of the fair’s most intellectually layered and historically resonant presentations arrives through Efie Gallery. Returning to the fair for the fourth consecutive year, the Dubai-based gallery brings together an intergenerational constellation

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Art Dubai’s Special Edition Brings African and Diasporic Voices to the Center of a Changing Global Art Geography

Kelani Abass, Scrap of Evidence, (Akaba), 2024, Digital print, cornerstone, wooden block, letterpress type, acrylic and oil on board 42 cm x 51 cm, courtesy the artist and Efie Gallery.

When Art Dubai opens its Special Edition at Madinat Jumeirah from 15–17 May 2026, with a VIP preview on 14 May, the fair will not simply mark two decades of existence. It will also reveal how profoundly the geography of the contemporary art world has shifted over the past twenty years. Once positioned largely as

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In Conversation: Salù Iwadi Studio on the Gẹ̀lẹ̀dẹ́ Lamp Collection, Cultural Memory, and Designing Light as Living Matter

Gèlèdé Lamp Collection Image credit- Photo credit- Salù Iwadi Studio

Across the evolving landscape of contemporary African design, a growing number of studios are moving beyond aesthetics and functionality to engage deeper questions around memory, spirituality, ancestry, and the transmission of cultural knowledge. Among the most compelling of these practices is Salù Iwadi Studio, founded by designers Toluwalase Rufai and Sandia Nassila. Operating between Lagos,

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Armen Agop on Silence, Stillness, and the Invisible at the Egypt Pavilion of the 61st Venice Biennale

Armen Agop Egypt Pavilion Biennale 2026 © Matteo Losurdo

At the 61st Venice Biennale, the Egypt Pavilion arrives not through spectacle, noise, or visual excess, but through an act of withdrawal. Titled Silence Pavilion: Between the Tangible and the Intangible, the presentation by Armen Agop transforms the historic Egyptian Pavilion in the Giardini into a contemplative environment centered on stillness, slowness, and sensory awareness.

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Victoria-Idongesit Udondian on Waste, Labour, and the Afterlife of Clothing at the 61st Venice Biennale

Victoria-Idongesit Udondian | Installation View, Ofong Ufok at the British Textile Biennial, Blackburn, UK | Courtesy the artist | Photo Credit: Jack Bolton.

At the 61st Venice Biennale, curated by Koyo Kouoh under the title In Minor Keys, Nigerian artist Victoria-Idongesit Udondian presents a deeply layered intervention that transforms discarded textiles into a powerful meditation on migration, labour, memory, and environmental violence. Invited by Kouoh as part of the International Exhibition, Udondian’s presentation extends her long-standing investigation into

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Between Belonging and Becoming: How Mayowa Akande Photographs the Communities That Carry Culture Forward

At a moment when conversations around migration, identity, and cultural preservation continue to shape public discourse across the globe, Nigerian photographer Mayowa Akande offers a quietly powerful reminder that culture is not maintained through institutions alone. It survives through people. Through gestures repeated across generations, traditions performed far from home, skills passed between mentors and

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Inside “Chorus”: How G.A.S. Foundation Is Reimagining Knowledge, Community, and Contemporary African Practice at the 61st Venice Biennale

Bisila Noha, Ile Ọkàn (2025). Structure made from reclaimed bricks and hand-crafted clay tiles, produced during the artist’s residency and presented at her final event. Image courtesy of G.A.S. Foundation. Photo: Sylvester Bayode.

At the 61st Venice Biennale, curated by Koyo Kouoh under the title In Minor Keys, the presence of Guest Artists Space Foundation feels especially resonant. While many presentations within Venice unfold through spectacle, monumentality, or national assertion, G.A.S. Foundation enters the exhibition through a quieter but deeply affecting register—one grounded in listening, collective memory, process,

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What to See in Venice Beyond the Biennale: African and Diasporic Projects Expanding the City’s Artistic Conversation

As the 61st International Art Exhibition of La Biennale di Venezia opens under the theme In Minor Keys, African and diasporic artists are already central to some of the most important conversations unfolding across the International Exhibition and national pavilions. From artists participating in Koyo Kouoh’s main exhibition to the powerful national presentations staged by

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