Art

Inheriting the Future: How Heritage, Memory, and Transformation Shaped October Gallery’s Landmark Exhibition of Contemporary African Art

Inheriting the Future installation at October Gallery. Courtesy October Gallery

Through conversations with curator Eleri Fanshawe and artist Zana Masombuka, Africans Column reflects on an exhibition that explored how contemporary African and diasporic artists are reimagining inheritance, identity, and cultural memory. When Inheriting the Future opened at October Gallery in London in April 2026, it arrived as more than a group exhibition. It served as […]

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Dawit Abebe’s BLACKBOX Opens in Venice, Exploring Memory, Opacity, and the Human Body During the 2026 Biennale Preview Week

BlackBox Installation Shot | Courtesy of AKKA Project and the aritst

As collectors, curators, artists, critics, and cultural practitioners descended upon Venice for the preview week of the 2026 Venice Biennale, Ethiopian contemporary artist Dawit Abebe unveiled BLACKBOX, a compelling and conceptually layered solo exhibition presented by AKKA Project. Running from May 7 to June 16, 2026, the exhibition occupies a significant position within the broader

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Africa Basel 2026: The Boutique Fair Positioning African Art at the Center of Basel’s Global Art Week

Every June, the Swiss city of Basel becomes the epicenter of the international art world. Collectors, museum directors, curators, artists, galleries, advisors, and cultural institutions converge on the city for a week that increasingly resembles the annual summit of the global art economy. While much of the attention naturally gravitates toward Art Basel and its

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“Brazil Beyond Brazil”: Igor Simões on Reframing Afro-Brazilian Art at 1-54 New York 2026

Igor Simôes Portrait by Nti Uirá 2025

As 1-54 Contemporary African Art Fair returns to New York for its twelfth edition, the fair once again positions itself at the center of global conversations surrounding contemporary African and diasporic art. Taking place at Chelsea’s Starrett-Lehigh Building from May 13–17, 2026, this year’s edition brings together more than twenty galleries and exhibitors from across

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Amoako Boafo on Portraiture, Presence, and His Venice Exhibition at Palazzo Grimani

nstallation views, “Amoako Boafo: It doesn’t have to always make sense,” Museo di Palazzo Grimani, Venice, May 6–November 22, 2026. Artwork © Amoako Boafo. Photos: Naïla Opiangah

During the preview week of the 61st Venice Biennale, when Venice once again became the center of the global art world, one of the city’s most quietly arresting exhibitions unfolded within the historic interiors of Museo di Palazzo Grimani. There, Ghanaian artist Amoako Boafo opened It Doesn’t Have to Always Make Sense, his first solo

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Leaving Venice Behind: Michele Mathison’s Verso il Cielo Unveiled in the Quiet Mountains of Umbria

Michele Mathison, Verso il Cielo, travertine, 2026, courtesy the artist and Tyburn Foundation, photo by Andrea Adriani

After days spent moving through the intensity of Venice Biennale preview week — navigating crowded vaporetto stations, packed national pavilions, endless openings, water taxis, and the constant rhythm of movement that defines Venice during the Biennale — the journey into Umbria felt almost like a withdrawal from the accelerated energy of the global art world

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Efie Gallery’s Art Dubai 2026 Presentation Maps a Transcontinental Dialogue Across African and Diasporic Art

Install view. Efie Gallery at Art Dubai 2026. Works pictured by Maggie Otieno, Maria Magdalena Campos Pons and Abdoulaye KonatéCourtesy the artists and Efie Gallery (5)

As Art Dubai celebrates its 20th anniversary with a Special Edition at the Madinat Jumeirah Conference & Events Centre from 14–17 May 2026, one of the fair’s most intellectually layered and historically resonant presentations arrives through Efie Gallery. Returning to the fair for the fourth consecutive year, the Dubai-based gallery brings together an intergenerational constellation

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Art Dubai’s Special Edition Brings African and Diasporic Voices to the Center of a Changing Global Art Geography

Kelani Abass, Scrap of Evidence, (Akaba), 2024, Digital print, cornerstone, wooden block, letterpress type, acrylic and oil on board 42 cm x 51 cm, courtesy the artist and Efie Gallery.

When Art Dubai opens its Special Edition at Madinat Jumeirah from 15–17 May 2026, with a VIP preview on 14 May, the fair will not simply mark two decades of existence. It will also reveal how profoundly the geography of the contemporary art world has shifted over the past twenty years. Once positioned largely as

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Armen Agop on Silence, Stillness, and the Invisible at the Egypt Pavilion of the 61st Venice Biennale

Armen Agop Egypt Pavilion Biennale 2026 © Matteo Losurdo

At the 61st Venice Biennale, the Egypt Pavilion arrives not through spectacle, noise, or visual excess, but through an act of withdrawal. Titled Silence Pavilion: Between the Tangible and the Intangible, the presentation by Armen Agop transforms the historic Egyptian Pavilion in the Giardini into a contemplative environment centered on stillness, slowness, and sensory awareness.

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Victoria-Idongesit Udondian on Waste, Labour, and the Afterlife of Clothing at the 61st Venice Biennale

Victoria-Idongesit Udondian | Installation View, Ofong Ufok at the British Textile Biennial, Blackburn, UK | Courtesy the artist | Photo Credit: Jack Bolton.

At the 61st Venice Biennale, curated by Koyo Kouoh under the title In Minor Keys, Nigerian artist Victoria-Idongesit Udondian presents a deeply layered intervention that transforms discarded textiles into a powerful meditation on migration, labour, memory, and environmental violence. Invited by Kouoh as part of the International Exhibition, Udondian’s presentation extends her long-standing investigation into

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