Art

Nigerian-American multidisciplinary artist Victor Ehikhamenor is set to present his first solo exhibition in Australia, Undoing the City: Making Home, opening on 15 October 2026 at the Chau Chak Wing Museum, University of Sydney. Running until 26 April 2027, the exhibition examines the human consequences of urban redevelopment, displacement and gentrification, exploring how communities preserve

Opening at Efie Gallery on 23 September, Sojourner: The Difference Is the Same brings the Kenyan sculptor’s decades-long relationship with discarded materials into a new body of work shaped by journeys, histories and transformation. Before entering Maggie Otieno’s studio, many of the materials she works with have already travelled considerable distances. Some have crossed countries.

Presented by SMO Contemporary Art at ARAMI in Lagos, Chika Idu’s expansive solo exhibition transforms water from a site of childhood play and everyday necessity into a charged space where environmental degradation, migration, memory, the Atlantic slave trade and the possibility of freedom converge. In Lagos, the phrase “pure water” belongs to everyday life. It

Presented by MAYÌ ARTS Curated in partnership with Filafriques, Cameroonian visual artist Martin Abega’s first solo exhibition in Geneva brings photography into dialogue with textile, embroidery, cowrie shells and charcoal to consider what the body, memory and matter retain after transformation. Cameroonian photographer and visual artist Martin Abega will present his first solo exhibition in

South African artist Barbara Wildenboer will present her first solo exhibition in Côte d’Ivoire with Invasive Archives, opening at LouiSimone Guirandou Gallery in Abidjan on 17 September 2026. Bringing together altered encyclopaedias, botanical materials and sculptural forms, the exhibition examines how systems of classification shape knowledge, landscapes and histories. LouiSimone Guirandou Gallery will present Invasive

The Canadian-born, Trinidadian artist’s FREE WILL: Manifestors of Realities reimagines histories of Afro-Caribbean resistance through hand-carved wooden masks and Afro-Caribbean hair traditions. By Bella Danso Asia Clarke’s FREE WILL: Manifestors of Realities began with a question about how history is remembered—and who gets to shape the images through which it survives. From Thursday 27 August