Art

Victoria-Idongesit Udondian on Waste, Labour, and the Afterlife of Clothing at the 61st Venice Biennale

Victoria-Idongesit Udondian | Installation View, Ofong Ufok at the British Textile Biennial, Blackburn, UK | Courtesy the artist | Photo Credit: Jack Bolton.

At the 61st Venice Biennale, curated by Koyo Kouoh under the title In Minor Keys, Nigerian artist Victoria-Idongesit Udondian presents a deeply layered intervention that transforms discarded textiles into a powerful meditation on migration, labour, memory, and environmental violence. Invited by Kouoh as part of the International Exhibition, Udondian’s presentation extends her long-standing investigation into […]

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Between Belonging and Becoming: How Mayowa Akande Photographs the Communities That Carry Culture Forward

At a moment when conversations around migration, identity, and cultural preservation continue to shape public discourse across the globe, Nigerian photographer Mayowa Akande offers a quietly powerful reminder that culture is not maintained through institutions alone. It survives through people. Through gestures repeated across generations, traditions performed far from home, skills passed between mentors and

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Inside “Chorus”: How G.A.S. Foundation Is Reimagining Knowledge, Community, and Contemporary African Practice at the 61st Venice Biennale

Bisila Noha, Ile Ọkàn (2025). Structure made from reclaimed bricks and hand-crafted clay tiles, produced during the artist’s residency and presented at her final event. Image courtesy of G.A.S. Foundation. Photo: Sylvester Bayode.

At the 61st Venice Biennale, curated by Koyo Kouoh under the title In Minor Keys, the presence of Guest Artists Space Foundation feels especially resonant. While many presentations within Venice unfold through spectacle, monumentality, or national assertion, G.A.S. Foundation enters the exhibition through a quieter but deeply affecting register—one grounded in listening, collective memory, process,

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What to See in Venice Beyond the Biennale: African and Diasporic Projects Expanding the City’s Artistic Conversation

As the 61st International Art Exhibition of La Biennale di Venezia opens under the theme In Minor Keys, African and diasporic artists are already central to some of the most important conversations unfolding across the International Exhibition and national pavilions. From artists participating in Koyo Kouoh’s main exhibition to the powerful national presentations staged by

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1-54 New York 2026 Expands Its Curatorial Reach with Special Projects, Installations, and Cross-Disciplinary Collaborations

As 1-54 Contemporary African Art Fair returns to New York for its twelfth edition at the Starrett-Lehigh Building from May 13–17, 2026, the fair once again positions itself as more than a marketplace. This year’s programme extends beyond gallery presentations into a layered curatorial framework that brings together Special Projects, a major Special Installation, and

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“Seize the Fire”: The DRC Pavilion Ignites a Radical Collective Imagination at the 61st Venice Biennale

SIMBA MOTO!SAISIS LE FEU!SEIZE THE FIRE!🔥 Ezali bosenga ya bokeli mpe boboti nde esangisi bakel

At the 61st International Art Exhibition – La Biennale di Venezia, the Pavilion of the Democratic Republic of Congo asserts itself as one of the most conceptually layered and philosophically charged national presentations of this edition. Titled Simba Moto! Seize the Fire! Saisis le feu!, the pavilion unfolds as a powerful meditation on transformation—one that

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Chukwudi Nwachukwu’s The Labour of Rivers Captures the Quiet Persistence of Life Along Nigeria’s Andoni Waterways

Chukwudi-Nwachukwu_Fishing-the-Channel

In a time when visual narratives around labour often lean toward spectacle or crisis, Nigerian photographer Chukwudi Nwachukwu offers a measured and deeply observant alternative. His photographic series, The Labour of Rivers, documents the lives of fishermen navigating the Andoni River waterways in Rivers State, presenting a body of work grounded not in dramatization, but

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Curating a Continent: The Curators Shaping Africa’s Pavilions at the 61st Venice Biennale

Curating a Continent: The Curators Shaping Africa’s Pavilions at the 61st Venice Biennale

The 61st International Art Exhibition of the Venice Biennale arrives at a pivotal moment in the trajectory of global contemporary art—one defined not only by the growing presence of African national pavilions, but by the intellectual and curatorial vision of one of the continent’s most influential cultural figures, Koyo Kouoh. Appointed in December 2024 as

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Ibrahim Mahama Awarded 2026 Arnold Bode Prize

Ibrahim Mahama

Ghanaian artist Ibrahim Mahama has been named the recipient of the 2026 Arnold Bode Award, one of Germany’s most respected honours in contemporary art. The €10,000 prize, awarded by the city of Kassel, recognises Mahama’s far-reaching artistic practice, which has consistently interrogated histories of labour, migration, and global economies through large-scale installations and material interventions.

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Celebrating the African Medalists of the 2026 Art Basel Awards

Celebrating the African Medalists of the 2026 Art Basel Awards

The second edition of the Art Basel Awards continues to position itself as one of the most expansive recognitions of contemporary cultural production, spotlighting 33 medalists across nine categories that span artists, curators, institutions, patrons, and cultural producers. Conceived as a global, cross-disciplinary initiative, the awards move beyond traditional prize structures to acknowledge the wider

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