Venice Biennale 2026

Between Ritual and Resonance: rana elnemr on the sugarcane choir, Material Memory, and Listening Beyond the Visible at the Venice Biennale 2026

Installation view of the sugarcane choir by rana elnemr, presented as part of In Minor Keys, curated by Koyo Kouoh for the 61st International Art Exhibition, La Biennale di Venezia, 2026.

For more than two decades, Egyptian artist rana elnemr has cultivated one of the most intellectually expansive and materially sensitive practices in contemporary African art. Working across photography, installation, moving image, sculpture and research, her work consistently resists fixed readings, instead inviting viewers into spaces where memory, perception, ritual and embodied knowledge unfold through subtle

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Dawit Abebe’s BLACKBOX Opens in Venice, Exploring Memory, Opacity, and the Human Body During the 2026 Biennale Preview Week

BlackBox Installation Shot | Courtesy of AKKA Project and the aritst

As collectors, curators, artists, critics, and cultural practitioners descended upon Venice for the preview week of the 2026 Venice Biennale, Ethiopian contemporary artist Dawit Abebe unveiled BLACKBOX, a compelling and conceptually layered solo exhibition presented by AKKA Project. Running from May 7 to June 16, 2026, the exhibition occupies a significant position within the broader

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Amoako Boafo on Portraiture, Presence, and His Venice Exhibition at Palazzo Grimani

nstallation views, “Amoako Boafo: It doesn’t have to always make sense,” Museo di Palazzo Grimani, Venice, May 6–November 22, 2026. Artwork © Amoako Boafo. Photos: Naïla Opiangah

During the preview week of the 61st Venice Biennale, when Venice once again became the center of the global art world, one of the city’s most quietly arresting exhibitions unfolded within the historic interiors of Museo di Palazzo Grimani. There, Ghanaian artist Amoako Boafo opened It Doesn’t Have to Always Make Sense, his first solo

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“Seize the Fire”: The DRC Pavilion Ignites a Radical Collective Imagination at the 61st Venice Biennale

SIMBA MOTO!SAISIS LE FEU!SEIZE THE FIRE!🔥 Ezali bosenga ya bokeli mpe boboti nde esangisi bakel

At the 61st International Art Exhibition – La Biennale di Venezia, the Pavilion of the Democratic Republic of Congo asserts itself as one of the most conceptually layered and philosophically charged national presentations of this edition. Titled Simba Moto! Seize the Fire! Saisis le feu!, the pavilion unfolds as a powerful meditation on transformation—one that

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Inside Morocco’s Pavilion: Amina Agueznay’s Asǝṭṭa and the Architecture of Memory

At the 61st Venice Biennale, the Kingdom of Morocco marks a pivotal moment in its cultural trajectory with the presentation of its first national pavilion at the Arsenale—one of the Biennale’s most historically resonant and architecturally charged sites. Titled Asǝṭṭa, the project is conceived by Amina Agueznay and curated by Meriem Berrada. More than a

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African Diaspora at Venice Biennale 2026: In Another Man’s Yard: The Bahamas Pavilion Reimagines Collaboration, Memory, and Material at Venice

Krista Thompson and Lavar Munroe (left), John Beadle (right) Photos by Blair Meadows, courtesy The Bahamas Pavilion

At the 61st Venice Biennale, the presence of the African diaspora extends far beyond continental representation, unfolding through complex histories of migration, memory, and cultural transmission. Among the most compelling contributions is the Pavilion of The Bahamas, which returns to the Biennale after a 13-year hiatus with In Another Man’s Yard: John Beadle, Lavar Munroe,

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Africans at Venice Biennale 2026: Between the Tangible and the Intangible: Egypt’s Radical “Silence Pavilion” at Venice Biennale

Egypt Pavillion At Venice

At the 61st edition of La Biennale di Venezia, the Egypt Pavilion emerges not as a spectacle but as a deliberate withdrawal from the visual excess that often defines global exhibitions. Conceived and executed by Armen Agop, who assumes the dual role of artist and curator, the presentation—titled Silence Pavilion: Between the Tangible and the

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Africans at Venice Biennale 2026: Mmakgabo Mmapula Mmangankato Helen Sebidi – The Artist of the Seen and Unseen

Mmapula-Mmakgoba-Helen-Sebidi

Helen Sebidi (born 5 March 1943), formally Mmakgabo Mmapula Mmangankato Helen Sebidi, is one of South Africa’s most significant modern and contemporary artists. Born in Marapyane near Hammanskraal, her life and work are deeply rooted in lived experience, ancestral knowledge, and the socio-political realities of apartheid and post-apartheid South Africa. From the outset, her practice

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Africans at Venice Biennale 2026: Issa Samb — The Artist Whose Practice Refused to End

The inclusion of Issa Samb in In Minor Keys, the 61st edition of the Venice Biennale, extends beyond representation; it reactivates a practice that fundamentally resisted closure. Born on 31 December 1945 in Dakar and also known as Joe Ouakam, Samb occupied a singular position within contemporary African art as a painter, sculptor, performance artist,

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Africans at Venice Biennale 2026: Bodys Isek Kingelez and the Architecture of Utopia

The inclusion of Bodys Isek Kingelez in In Minor Keys, the 61st edition of the Venice Biennale, unfolds as both a return and a reactivation of one of the most singular artistic practices to emerge from the Democratic Republic of the Congo. Born in 1948 in Kimbembele-Ihunga during the final years of the Belgian Congo,

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