Tate Acquires Amoako Boafo’s Blank Stare at 1-54 Contemporary African Art Fair in Marrakech

The Tate Modern Museum has acquired Ghanaian artist Amoako Boafo’s Blank Stare (2021) at the 1-54 Contemporary African Art Fair in Marrakech, marking a significant milestone in the institution’s commitment to expanding its collection of contemporary African art. The acquisition, facilitated by the Tate Africa Acquisitions Committee Catalyst Fund, underscores the increasing recognition of Boafo’s work on a global scale.

Amoako Boafo
Blank Stare (2021)
Oil on paper, 1000 x 700 mm
Presented by Gallery 1957, Booth LM1, La Mamounia, 1-54 Marrakech

Following the acquisition, Osei Bonsu, Curator of International Art at Tate Modern, expressed enthusiasm for the museum’s growing engagement with African contemporary art:

“We are delighted to bring this extraordinary painting into Tate’s collection, where it will be seen by millions of visitors in our galleries and beyond, for generations to come. Our thanks go to the 1-54 Contemporary African Art Fair, to the artist, Amoako Boafo, and to Gallery 1957 for generously making this possible, building on the essential support of our Africa Acquisitions Committee. The Committee’s work underpins Tate’s broader commitment to modern and contemporary artists from Africa and the African diaspora, as seen in El Anatsui’s recent Hyundai Commission: Behind the Red Moon, the exhibition A World in Common: Contemporary African Photography, Meschac Gaba’s newly opened display at Tate Modern, and our major exhibition on Nigerian Modernism coming up this Autumn.”

Boafo’s Blank Stare (2021) is an oil-on-paper painting measuring 1000 x 700 mm, presented at Gallery 1957’s booth (LM1) at La Mamounia during 1-54 Marrakech. It is the 43rd piece by Boafo acquired through the Africa Acquisitions Committee since its establishment in 2011. The Committee has played a vital role in introducing African artists to Tate’s collection, securing over 58 works by 42 artists to date.

Renowned for his bold and expressive figurative paintings, Boafo has cemented himself as a leading voice in contemporary African art. His work often centers on Black identity, representation, and self-perception, capturing his subjects with a unique combination of vivid colors, fluid brushstrokes, and a strikingly intimate presence. Blank Stare continues this exploration, presenting a portrait with a selfie-like posture and an ambiguous expression that leaves room for interpretation.

The acquisition also highlights Boafo’s broader influence in shaping contemporary African figuration. His acclaimed series Soul Black Folks pays homage to the diversity of Black identity and experience, challenging conventional narratives and asserting a nuanced, celebratory perspective. Through his work, Boafo has reshaped the portrayal of Black bodies in art, presenting them with agency, depth, and individuality.

Touria El Glaoui, Founding Director of 1-54, emphasized the importance of this acquisition, stating:

“As we return to Marrakech for the 6th edition of 1-54, following its inauguration in 2018, it is our great honor to announce that the Tate Africa Acquisitions Committee Catalyst Fund has made its first acquisition at 1-54 Marrakech.”

Global Recognition and Lasting Impact

Boafo’s meteoric rise in the contemporary art world has been fueled by his distinctive style and his ability to capture the essence of his subjects. Using acquaintances, friends, and family as models, he fosters a deep connection between his work and his Ghanaian heritage. His paintings explore themes of identity, self-reflection, and cultural continuity, ensuring that his art remains both deeply personal and universally resonant.

The addition of Blank Stare to Tate Modern’s collection reinforces the institution’s dedication to showcasing African art and fostering cross-cultural dialogue. As the piece takes its place among other significant works by African artists, Boafo’s legacy will continue to inspire audiences worldwide.

With Tate’s ongoing commitment to African contemporary art and the role of institutions like 1-54 in championing these artists, this acquisition marks yet another step toward greater visibility and appreciation of African artistic excellence on the global stage.

Click here to check out the artwork.

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