British-Nigerian artist Yinka Shonibare CBE RA returns to London’s artistic landscape with a poignant exhibition titled “Suspended States” at Serpentine South Gallery, marking his first solo showcase in a London public institution in over 20 years. Running from April 12th to September 1st, 2024, the exhibition offers a captivating journey through Shonibare’s multidisciplinary practice, inviting viewers to delve into the complexities of colonial legacies, refuge, and cultural identity.
Serpentine’s presentation of “Suspended States” coincides with Shonibare’s participation in the 60th International Art Exhibition — La Biennale di Venezia, offering a dual opportunity for art enthusiasts to engage with the artist’s profound reflections on history and society.
Exploring Colonial Narratives and Ecological Impact
“Suspended States” serves as a platform for Shonibare to delve into themes of migration, conflict, and the ecological ramifications of colonialism. Through a diverse array of installations, sculptures, pictorial quilts, and woodcut prints, the artist navigates the intricacies of our intertwined global history. Central to the exhibition are two striking large-scale installations: “Sanctuary City” and “War Library.”
While “Sanctuary City” illuminates the concept of refuge through miniature gun-metal-gray buildings adorned with Dutch wax print interiors, “War Library” presents a thought-provoking narrative of human conflict, with volumes detailing wars and battles bound in the vibrant fabric.
Interrogating Western Iconography and Historical Narratives
Shonibare’s signature use of Dutch wax print emerges as a powerful symbol throughout the exhibition, embodying the entangled relationship between Africa and Europe. From the portrayal of historical monuments in “Decolonised Structures” to the fusion of African masks with Western figures in “Unstructured Icons” and “Cowboy Angels,” the artist challenges conventional representations of power and identity.
A Call for Reflection and Social Change
Beyond artistic expression, “Suspended States” underscores Shonibare’s commitment to social change and community engagement. The exhibition confronts urgent issues such as climate emergency and food sustainability while celebrating the resilience of marginalized voices. Shonibare’s establishment of residency spaces in Nigeria reflects his dedication to nurturing transdisciplinary dialogue and environmental stewardship.
A Homecoming at Serpentine
For Shonibare, Serpentine holds a special significance, as it was the site of his first institutional exhibition 32 years ago. Now, with “Suspended States,” the artist returns to his artistic roots, reaffirming Serpentine’s role as a catalyst for dialogue between artists and society.
Conclusion: An Invitation to Reflect
“Suspended States” transcends the boundaries of time and space, inviting viewers to contemplate the intricate tapestry of human history and its enduring impact on contemporary society. As nationalism and division cast shadows over our world, Shonibare’s exhibition stands as a beacon of hope, reminding us of the shared humanity that unites us all.
Don’t miss the opportunity to embark on this transformative journey of introspection and discovery at Serpentine South Gallery until September 1st, 2024.
Images: Yinka Shonibare CBE: Suspended States, 2024. Installation view, Serpentine South. © Yinka Shonibare CBE 2024. Photo: © Jo Underhill. Courtesy Yinka Shonibare CBE and Serpentine.
